‘scavenged home’ with Aled Simons

Aled Simons and Mark Leahy, ‘Scavenged Home’, (2021), digital animation with audio, 2’ 30”

Sticking bits of things together for now: we began with a conversation, talked about collecting, stickers, taxonomy, and about making work, and the things that get in the way of making work – we also talked about Artex covered ceilings and finding a “studio” or somewhere to make stuff; subsequent exchanges included some mail-art collages sent from Dublin to Swansea, and discussion of grottoes, skins, Stonehenge, Welshness (sort of) and Irishness (a bit) and somewhere in there a sense of the legacy of colonialism … these things have fed into a short animation that curls together hermit crabs, National Trust properties, appropriation and occupation, language, accidental layering and a relationship of belonging and memory;

Over recent months I have been part of the Exchange project, which has involved 60 artists from 6 artist-led groups across England. 10 members of CAMP (Contemporary Art Membership Plymouth) were each paired with a partner from another organisation, and I have been working with Aled Simons of g39 in Cardiff. The project comes to a close on 30th July with The Summit – a sharing of some outcomes and a conversation about the sharing / collaboration / exchange process.

What Time is Art? workshop for CAMP

On 24th and 26th August 2020, I will run a two-part online workshop as part of the PITCH programme of events for CAMP (Contemporary Art Membership Plymouth) .

What Time is Art? is an investigation of time in (y)our art practice. Over two 2-hour sessions we will discuss ideas of time in relation to art practice(s). The sessions will address how a story of making is told, how telling it locates it in time, and how the told story endures or is lost.

Booking is via the CAMP website.