I will be part of the live performance radio broadcast by Radio Ironie Orchestra on Soundart Radio on Sunday July 5th at 1800hrs UK time. This event is one of the Tomorrow’s Transmissions commissions that Soundart awarded this summer using COVID19 Emergency Funds from Arts Council England.
Knotenpunkt Transmission // isolated junction – transmission
RIO presents a live-on-air networked performance where fragmented texts serve as junctions in a sonic journey, calling for connections over distance and questioning modes of isolation by listening in and sounding in together. “Knotenpunkt transmission” is a testbed on how to transform distance into something fruitful, and while we never may be able to overcome all the distances and borders that separate us, we can envision paths, ways and crossing points where we meet and exchange.
The Radio Ironie Orchestra
The Radio Ironie Orchestra was founded in 2019 as radio-phile orchestra structure, a collective of musicians and sound artists from several countries playing together over distance using open-source streaming tools like Jitsi, and combining acoustic, electro-acoustic and electronic sound within the medium of internet and radio. Its name is program – an ironic allusion to the tradition of the “radio symphony orchestras”, realizing the spirit of collective music-making and on-air music distribution with the tools and aesthetics of our present times. The open structure of RIO allows for frequent collaboration with guests from all over the world.
On May 29th my review of Christodoulos Makris’ this is no longer entertainment from Dostoyevsky Wannabe will be published on the Stride magazine site. Makris’ book gathers material from online comment threads on media and news websites across several years and edits these into a poem sequence of seventy-one sections.
The text is organised, shaped, to offer an obviously self-conscious curating of the material, opinions, ideas encountered there. ‘The word curate is not a synonym for “chosen” or “collected”. (119) This is a reading, that is open to other and others’ readings, it frames a view without determining what another will see there.
you could say you are parasitical on their labour (78)
it doesn’t include labels nor pity
it just floats quietly
and serves to begin conversations such as this (103)