Tag: publication

Swim Litany at 37 Looe Street

Swim Litany: A score and a performance

Swim Litany is a visual text and spoken word score published as an A3 poster. One side presents a range of information sourced from diary records of my swims from mid-summer 2025 to mid-summer 2026. This data includes references to place, to bodies of water, to those I swam with. On the other side textual material is organised into three areas, each section having a different character, with the potential for performance by one, three, or more voices. 

Swimming is something that I do, it is part of my life, and I fit it around other things – weather, work, travel, health. Senses of rhythm, of repetition, of the social activity of swimming are evident in the printed poster and in performance. Interruptions to the rhythm and variations in the text record the impact of the rest of life on my swimming, while the writing acknowledges my appreciation of access to safe water and my physical ability to swim regularly.

For a live event on August 27th, a group of performers will read from the text, their voices mixing, blending, bumping against each other as they navigate the three sections. Rhythm, repetition, overlap and silence will depend on the character of the sections, and the speakers’ responses to the words and to each other. 

Performance:  1800hrs (6.00pm) on Thursday 27th August 2026 at 37 Looe Street, Plymouth, PL4 0DQ  as part of the Bathing Places exhibition. 

‘Bathing Places’ exhibition at 37 Looe Street, Plymouth

I will present ‘Swim Litany’, a new text / spoken word / poster piece, as part of Bathing Places, the summer show at 37 Looe Street in Plymouth. The exhibition, with work from 28 artists runs from June 12th to mid-September (the summer bathing season at Tinside Lido).

Swim Litany is a visual text and spoken word score. Its core material is the diary records of where I swam in the twelve months from mid-summer 2025 to mid-summer 2026. This data is layered with additional references and associations. The A3 score organised so that it offers the potential to be performed by one, two, or more voices.

There will be a live performance of the work at 37 Looe Street in late August. Date to be confirmed. More information can be found at the 37 Looe Street website.

reflection on collaboration on Research Catalogue

Shelley Hodgson and I have published an essay and documentation reflecting on the collaboration and making process that went into our performance, radio and participatorary series of works ‘twiceness’ to ‘thriceness’.

You can read the text and see the supporting materials at: ‘from twiceness to thriceness: a performance writing collaboration‘, Research Catalogue (2026) https://www.researchcatalogue.net/view/3704189/3704190/0/0

work in The Mountains Are Calling exhibition

I have a visual text / poem included in the World Book Night 2026 exhibition at Bower Ashton Library, UWE Bristol open from Thursday 2nd April to Friday 31st July 2026. The theme or prompt for the submissions was ‘The Mountains are Calling,’ and artists were asked to send works up to A5 in size, that responded to the prompt. We were also asked for texts or works that could be added to a growing bibliography of ‘mountainish’ texts.

My landscape text is on the right in this image from the exhibition installation. (Photo by Marian Kilpatrick) More information can be found here: https://www.bookarts.uwe.ac.uk/wbn2026/

Opponent for a Public PhD Defence at University of Lapland

On the 16th January I was the Opponent in the public defence by the visual and socially-engaged artist Katja Yuhola, of her PhD project submitted under the title – International Socially Engaged Art Symposium: A Place of Creation, Shared Knowledge, and Conversational Art. Katja pursued her PhD research in the Faculty of Art and Design at the University of Lapland, and was supervised by Professor Jaana Erkkilä-Hill.

Katja’s excellent thesis contextualised her symposium series ISEAS that she has led since 2017, supported by a series of published articles, and a solid discussion of the ethics and theories of socially engaged arts practice. We were hosted very well by the University of Lapland in Rovanienmi, and the public defence was well received by the audience and the institution. It was also very exciting to be in a snowy winter landscape in January!