mentoring a Plymouth Platform project for #PAW18

Over the past 8 months I have worked with Rhys Morgan as a mentor for his commissioned project for Plymouth Platform which was shown at Plymouth Art Weekender 2018. Rhys developed a single-screen video installation with 5-channel sound. It was shown in the Batter Street Studio space at Plymouth Arts Centre over the Art Weekender, 28th-30th September 2018.

Daddygogue consisted of the installation and a newspaper, and both were supported by a workshop with young trans people in Plymouth. The project investigated topics of queer visibility, trans experience, information and communication systems, and folded these together with audio and visual collage of material found online and in print.

https://daddygogue.tumblr.com/

‘threaded insert’ at STREAM, Dartington on September 7th

I will perform’ threaded insert’ as part of the three-day programme for STREAM: a Series of Transdisciplinary Rituals & Experiments in Art & Music at Dartington on Friday 7th September 2018. My performance will take place in Studio 6 and the adjoining spaces from 2.00pm on the Friday. There will be live work, projected and installed works and social events across the weekend. The event is coordinated by Sarah Gray to mark the 10 year anniversary of the closing of Dartington College of Arts at the Dartington Campus. Work will be presented by alumni and former faculty members across music, performance writing, visual performance, dance and theatre.

new article in Sculptorvox Vol. 1, January 2018

I have an article just out in the first volume of a new sculpture-focused magazine, Sculptorvox. The title of this first volume is Geometry of Nothing. The article ‘A Curiosity of Nothings: on the Not-there-ness of Andrew Kearney’s Sculptural Installations’ discusses Andrew Kearney‘s sculptural works, with a particular concentration on his installation at the Irish Cultural Centre, Paris in 2017:

Andrew Kearney, ‘Mechanism’, Centre Culturel Irlandais, Paris; 20 April to 18 June 2017.

The magazine is available from  Sculptorvox.

 

 

‘threaded insert’ for Tears in Rain at PAW 2017

‘threaded insert’ on Sun 24th September at Plymouth Athenaeum

I will perform a new work, ‘threaded insert’ as part of a group project Tears in Rain for Plymouth Art Weekender 2017 at Plymouth Athenaeum, on Sunday 24th September. Tears in Rain is a day-long event bringing together a range of practices by artists whose work uses live or performance elements, alongside participation, moving image and installation. The programme mixes durational and installed work with timed events and actions, and the Athenaeum Auditorium shapes and influences the work. The project includes new works and works adapted to suit this particular context with actions happening throughout the space, projections, a lecture, one-to-one interaction and improvised responses to the site. The artists in Tears in Rain are: Mo Bottomley / Katrina Brown / Mark Leahy / Steven Paige / Marcy Saude / Minou Tsambika

In ‘threaded insert’ I receive via headphones a series of instructions, for orientation, movement, speech, and other actions including spelling words, randomly selected from a database of short audio files. The content derives from guides and instructions for ‘proper’ speech, rules for social and public behaviour, and control or modification of the body. I will perform the work three times over the course of the event, starting from a different point in the building each time, mapping a different course and telling a different tale in response to the received instructions. The score is applicable to any site or any building, but is also specific in the spoken responses and movements it generates; ‘threaded insert’ could be anywhere, but when I am performing in the Athenaeum, the work will also bring attention to qualities and features of that particular space.

 

presentation at Beyond Words conference 2017

On March 15th I will present ‘after alert catchers: a report on an other (than) worded event’ at the Beyond Words conference 2017 at Plymouth University. The conference is the culmination of an AHRC funded research project that explored relations of arts to health and wellbeing.

My paper discusses the ‘alert catchers’ project by artists Gabby Hoad, Susie David and Megan Calver at Dawlish Warren Nature Reserve in 2016. I make connections between the artists’ practices and questions of networks, of scoring, and of naming. References are made to work by Donna Haraway, Bruno Latour, Jane Bennett and Kathleen Stewart.

www.susiedavid.info

www.megancalver.com

www.gabriellehoad.co.uk