review of The Scores Project now online

The Scores Project presents 11 works or projects initiated between 1953 and 1975, that used scores within their realisation, their dissemination, their presentation, or their documentation. These scores are accompanied by contextualising essays and digitised copies of printed, audio, and video material in a web environment that mixes archive, essay collection, anthology and exhibition. Each key work is represented by multiple items including photographs, video clips, notebooks, correspondence, publicity materials, as well as drawings, notations, diagrams, instructions and other forms by which the score is presented.

The publication [aims] to find better ways to share and educate audiences about these complex and untidy works. These are works that in library or conservation terms involves bits of paper, cards, grainy video recordings, notes and sketches. Digital technology and an online platform allow readers and viewers to engage with these in new ways, and to encounter them in the context of framing essays and scholarship.

You can read and explore The Scores Project here: https://www.getty.edu/publications/scores/intro/

My review is available on the Leonardo Reviews site: https://leonardo.info/review/2025/12/the-scores-project-essays-on-experimental-notation-in-music-art-poetry-and-dance-1950

review of Alchemies of Theater now live online

My review of a new publication on the work of Dick Higgins, Alchemies of Theater: Plays, Scores, Writings edited by Bonnie Marranca, is now live on the Leonardo Reviews site.

The book introduced me to works by Higgins I was unaware of and gives a sense of the range and variety of his practice. You can read the review at:

https://leonardo.info/review/2025/07/alchemies-of-theater-plays-scores-writings

constrained radio shows

From Wednesday 13th May at 12 noon Soundart Radio will broadcast a short weekly series of radio hours I have put together called ‘constrained radio show’. The shows feature poetry, text, voice, sound, music, and audio work in a variety of styles and genres loosely gathered under formal or thematic headings. The ideas that guided my choices for the first episode of ‘constrained radio’ were a sense of working within constraints or rules or limitations, or responding to those rules perhaps by resisting them. In the second show ideas of repetition and transposition run through the selection, with a mix of vocal, verbal, textual and sonic loopings, versions, layers, and reuse. Track listings will be posted here.