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participating in Rosanna Irvine’s Perception Frames

Over the past few months I have been involved with a research process being led by choreographer Rosanna Irvine. Irvine and a number of dancers / performers have met for a series of day-long working and testing events. The project involves the development of a set of written instructions / score. I have participated as a mover, responding to the instructions, and taking part with other movers in the activity and conversation. On the most recent day of working, October 2nd, I sat out from the movement action, and made written notes. I am now in the process of refining or revising and expanding these notes.

The writing activity has been an interesting hybrid or folding together of thoughts on what is happening in the space among the movers, what I notice in them, and what I hear in the instructions. At times the writing also attempts to follow those instructions, responding in words, phrases, letters, to the score as offered to the movers. A key element of these instructions direct or support activity of attending and noticing, attending to perception, noticing sensing. The text now in process reflects this seeing hearing feeling.

ICA London, Friday Salon – 5th July : Reading as a Contemporary Art

Reading as a Contemporary Art. On Friday last I attended this event at the ICA — there were a series of presentations by academics / writers / artists on and around ideas and questions of reading; reading as an activity, reading as a process, reading as art. Peter Jaeger read from a work in manuscript, A Field Guide to Proust; Sharon Kivland presented a series of readings (writings through) Zola’s Nana; Hester Reeve danced and shimmied a reading for us and at us; Brian Dillon essayed on the essay; Kate Briggs revealed the traces of her reading of Henry James; and Sarah Wood played with dictation. An exciting afternoon.
Image courtesy: Sharon Kivland

WRITING INTO ART at University of Strathclyde and Kelvingrove Museum and Art Gallery, June 18 and 19

WRITING INTO ART

University of Strathclyde and Kelvingrove Museum & Art Gallery, 18th & 19th June 2013

“it is the act and not the object of perception that matters”: Thomas MacGreevy’s poetry in relation to perception in literary and visual arts’

I will present this paper on the work of Thomas MacGreevy at this two-day conference in Glasgow. The paper will develop points explored in my chapter in the recent publication from Bloomsbury, The Life and Work of Thomas MacGreevy: A Critical Reappraisal.  

Other presenters include Patricia Farrell and Simon Perril.

 

 

 

Thompson’s Live podcast now online

Thompson’s Live: Series 2 Episode 5 (3rd June 2013)

Thompson’s Live, the conversational blog around theatre and performance brought to you fortnightly (ish) by Chris Goode & Co, comes this time from TR2, the production and education facility of the Theatre Royal in Plymouth.

Joining Chris on this occasion were:

Hannah Silva, writer and theatre maker

Ruth Mitchell, site-specific performance maker and actor; co-director, Part Exchange Co

Mark Leahy, writer, artist & teacher

Listen to the podacst or download it from here:

Thompson’s Live Series 2 Episode 3

 

Thompson’s Live podcast recording in TR2 Plymouth this Saturday

On this Saturday afternoon June 1st  (4.30 – 6.00pm) Chris Goode will record / host / facilitate the conversation for the latest episode of his podcast series Thompson’s Live.

Chris is back in Plymouth this month with the tour of his show The Forest and the Field which is showing at TR2 (due to the refurbishment of the Theatre Royal). http://chrisgoodeandcompany.co.uk/shows/the-forest-the-field/

the line up for the conversation is Mark Leahy, Hannah Silva and Ruth Mitchell, so along with Chris there’s potential for an interesting discussion around performance / text / writing / theatre and contemporary making.

Hannah Silva: http://hannahsilva.wordpress.com/

Ruth Mitchell: http://ruthmitchellresearchblog.wordpress.com/about/

the event is free, so do come along if you’d like to be in the audience (and to give some atmosphere / background rustle);

more info on the series here: http://chrisgoodeandco.podbean.com/

directions for TR2 here: http://www.theatreroyal.com/content.asp?CategoryID=1072

there are no buses, but there is parking if you drive;

or you can walk from Barbican Leisure Park (the VUE cinema).