On Wednesday September 11th, in the Clore Studio of South London Gallery, a number of contributors will present an evening of readings celebrating the launch of The Graveside Orations of Carl Einstein. Published by Ma Bibliothèque, the book collates contributions by artists, poets, critics, and philosophers speculating on a speech given by political radical Carl Einstein at a memorial for Rosa Luxemburg in 1919. Readers on the evening will include: Pil Galia Kollectiv, Rebekah Georgiou-Tolley, Dale Holmes, Sarah Wood, Alison J.Carr, Sharon Kivland, Mark Leahy and others. Places can be reserved via this LINK.
I have written a review of a new publication of collected writings by Dick Higgins which is now online at theInternational Times. Intermedia, Fluxus and the Something Else Press, edited by Stephen Clay and Ken Friedman, collects a number of essays, manifestos, catalogue texts, and other critical writings by Higgins in one well-designed and produced volume. Higgins’ writing were important to me when I began learning about hybrid and performative modes of poetry, so it was exciting to receive a volume that brought these diverse texts together.
Volume 7, the latest volume of Emergency Index, “an annual document of performance practice”, has recently been published. Covering 260 works made across 51 countries through 2017, the book gives an overview of activity in live and performance art. My projects, Subject to Gesture, with Benjamin D. Duvall in Liverpool; and Tears in Rain, which was part of Plymouth Art Weekender 2017, are both documented in this publication.
The Ugly Duckling Presse website includes further information on this volume. HERE
‘flat-head self-tapping’ engages with questions of speaking in public, of being on show, of being heard, and displaying coded behaviour. Deriving elements from Bell’s Standard Elocutionist and online dictionaries, the performance text stitches fragments, word lists, letters, and gestures into a display of awkward flapping interrupted by gnomic expulsions.
Originally presented as a live performance at Arnolfini, Bristol, this version for screen was developed with sound, video and editing by Neil Rose; the trailer is available at Vimeo here.
The screening is on Facebook at https://www.facebook.com/events/496149960903200/
I have an essay ‘Disrupting the Market in Echoes: Voice, body and technology in poetry and performance by Hannah Weiner and Holly Pester’ in a recent issue of Performance Research published by Taylor & Francis. The issue, On Writing and Performance, is edited by Ric Allsopp and Julieanna Preston.
This essay considers questions of writing in its relation to voice, technology and performance through a reading of voiced and printed work by Hannah Weiner and Holly Pester. The focus is on two works, Holly Pester’s ‘Buddy Holly on my Answer Machine’ published in Hoofs (2011), from if p then q books, and ‘RJ Romeo & Juliet’ from Hannah Weiner’s Code Poems: From the INTERNATIONAL CODE OF SIGNALS for the use of all nations, published in 1982.
Link to the Journal online: doi.org/10.1080/13528165.2018.1464761