Curriculum Vitae: Art

selected solo performances and presentations

Jun 2018: ‘telling time’, a Communal Making workshop session at Jamboree 2018, Dartington Hall Estate, Devon.

May 2018: ‘threaded insert’, presented as part of Projectivisms: way-making the contemporary projective, organised by Wanda O’Connor, Cardiff University

Sep 2017: ‘threaded insert’, presented as part of Tears in Rain for Plymouth Art Weekender 2017 at Plymouth Athenaeum

Apr 2017:  ‘Subject to Gesture’, collaborative project with Bejamin D. Duvall; presented at Gramphone Ray Gun 6, Everyman Bistro, Liverpool

Aug 2016:  ‘his voice’, presented at Sea Change Festival, Totnes, UK

Feb 2016:  ‘his voice’, presented at The Other Room, Manchester

Oct 2015:   ‘his voice’, performance commissioned for Counter Plymouth Art Book Fair, Karst, Plymouth; and as part of Surface / Contact at Phoenix, Exeter

Apr 2015:  ‘flat-head self-tapping’, part of Care & Attend, curated by Joanne Lee and Emma Cocker, Chelsea School of Art, London

Jan 2015:  ‘flat-head self-tapping’ From Devon with Love at Barbican Theatre, Plymouth

Nov 2014:  ‘answering machine’, performance commissioned for Experimentica 14 festival; Chapter Arts, Cardiff

Apr 2014:  ‘Hello! This is a test’, performance as part of ‘the rhythm of fragments’, Salon de Textes Edition 2, Penzance

May 2013:  ‘muster page habit 2’, commissioned for EVP by Mercy and Penned in the Margins, at Cube, Bristol; and as part of Textually Active, at Plymouth Athenaeum

Oct 2012:  ‘lengths and ends: six poems for Penzance’, presentation and publication for CAZ (Cornwall Autonomous Zone), Penlee Bowling Club, Penzance

Mar 2012:  ‘Hand in Glove: sinister hand vested sable lozengy couped’, performance presented at Tempting Failure (curated by Thomas J Bacon), ]performance space[, Hackney Wick, London

Feb 2012:  ‘Voice Recognition: A Play’, performance presented at BLOP (Bristol Live Open Platform), Arnolfini, Bristol

Oct 2011: ‘Voice Recognition: A Play’, presented as part of Electronic Voice Phenomena, hosted by Mercy at Bluecoat, Liverpool for the Chapter and Verse Festival

Aug 2011:  ‘after Durer after Mantegna’; for Window Work project, DxDx Studios, Regent Street, Plymouth

Jan 2010:  ‘figure and ground: Plymouth’, two-day durational performance as part of Performance Market, The Pigs of Today are the Hams of Tomorrow, Plymouth Arts Centre

selected group and collaborative projects

Sep 2017: Tears in Rain, a day-long event at Plymouth Athenaeum for Plymouth Art Weekender (with Katrina Brown, Mo Bottomley, Steven Paige, Marcy Saude, Minou Tsambika)

Jul 2017: Listening to Literature, one-day symposium on soundscapes at University of Exeter

May 2017: Language Game(s); day-long symposium curated by Sheena Calvert at Chelsea College of Arts, London

Nov 2015:  Surface / Contact, exhibition with Katy Connor, Bryony Gillard, Clare Thornton at Exeter Phoenix Galleries

May 2014:  Redefining Print (commission and exhibition), Double Elephant Print Workshop, Exeter, ongoing to November 2015

Jan 2014:  AVASE (A Voice and Something Else), workshop and symposium at Aberystwyth University

July 2012:  Weekender Residency, CAZ(Cornwall Autonomous Zone), Penzance, Cornwall

Feb 2012:  Viewing Room exhibition, curated by LIE (Library of Independent Exchange), Plymouth College of Arts, Plymouth

Jan 2012:  POLYply 15: Colour, curated by Redell Olsen and Will Montgomery, Centre for Creative Collaboration, Acton Street, London

Dec 2011:  ‘what remains and is to come’, collaboration with Katrina Brown and Rosanna Irvine, Harberton, Devon

Oct 2011:  ‘even feed’, group project curated by Gareth Ballyn, Oldway Mansion, Torquay, Devon

Sept 2011:  DIY8: Queer Eye Enquiry, coordinated by Chris Goode, Plymouth and Birmingham

selected publications

‘Receiving Queerly Displaced Utterance: Failure and / as Response in Works by Glenn Ligon and LOW PROFILE’, in Geoff Cox et al., editors, ‘Artistic Research Will Eat Itself. Proceedings of the 9th SAR International Conference on Artistic Research‘, Research Catalogue (2018) pp 340-349, https://www.researchcatalogue.net/view/512748/512749/0/0

‘Disrupting the Market in Echoes: Voice, body and technology in poetry and performance by Hannah Weiner and Holly Pester’, Performance Research, 23:2, pp. 75-81, June 2018 DOI: 10.1080/13528165.2018.1464761

‘apologies for blanks or laments for dumbness: Tina Darragh’s Opposable Dumbs as open source and/or open content’, C21 Literature: journal of 21st-century writings, 4(1), p.4. (2016)

‘An Action Movie (for NW): reading time code action’, afterword to Action Score Generator by Nathan Walker, ifpthenq Books, February 2015

‘anamorphic trace: sensing doubleness in image and event’, in What Remains And Is To Come: A Document, Katrina Brown and Rosanna Irvine, July 2014

’3 or 4 Things I Know About Them’, in Here’s to another 10, a publication marking 10 years of work by LOW PROFILE, ICIA, University of Bath, April 2013, pp 51-56

‘Excerpt from Pursuing Pursuit (I am bound to follow) with Jack, John, Rock and Hard (*1987+, 2012)’, for ‘The ties that bind …’, installation by Steven Paige, Exeter Phoenix; Library of Independent Exchange, January 2012

‘Guaranteed Insurance’; text to accompany online project by Mocksim; September 2009; also published in tiktoc 6, unpaginated; Summer 2010,

‘“Where stone is dark under froth”: Screening the datastream’, catalogue text for Katy Connor’s Pure Flow, Phoenix Arts Centre, Exeter and Permanent Books, December 2009

‘glossing Speakers, or bookmaking for amateurs’, Journal of Writing in Creative Practice 2:1, June 2009, pp. 55-67

project management and other work

mentor for the VAP Platform project for Plymouth Art Weekender 2018, funded by Horizon Project Plymouth and Arts Council England, January – October 2018

organising committee member for In Other Tongues: creating metaphysics, embodying language, art.earth, Dartington Hall, June 2017

organising committee member for Language Landscape and the Sublime, art.earth and Schumacher College, June 2016

project manager for Brown and Irvine, on what remains and is to come, tour management, promotion, administration; January – April 2014

project manager for Liminal on Organ of Corti (PRSF New Music Award)working on fundraising, planning and UK tour management; April — August 2011

creative producer of MA Platform in Art, Performance and Writing, Dartington Campus, University College Falmouth; September 2007; September 2008; September 2009; July 2010

curator of exhibition ‘Public Pages’ as part of conference Poetry and Public Language 2007 at School of English, University of Plymouth; April 2007